The two faces of the femme fatale

This review by Andrew Nette appeared first on Pulp Curry. I second Andrew’s endorsement of this fascinating exhibition.

Matilda Devine, criminal record number 659LB, 27 May 1925. State Reformatory for Women, Long Bay, NSW

Ann Savage in the 1945 film noir classic Detour

The femme fatale is a staple character of crime fiction and film. Last weekend, I got a glimpse of the reality behind screen and literary presentations of female criminality at an exhibition into Australia’s famous female criminals, currently taking place at Geelong’s National Wool Museum.

You don’t have to have a PhD in cultural studies to realise that our fascination with women as deviants is deeply rooted in conceptions that stretch back to the Bible (Eve, anyone?), fairy and folk tales. The exhibition, Femme Fatale: The female criminal opens with a quote by Italian criminologist Cesare Lombroso from 1893 that epitomises this worldview: “The born female is, so to speak, doubly exceptional, first as a women and then as a criminal. This is because criminals are an exception among civilised people and women are the exception among criminals… As a double exception, then, the criminal woman is a monster.”

The exhibition includes a pretty grim history of the illegal or backyard abortion industry, the women who often ran it and the police who profited from protecting it. This includes some amazing police crime scene photos (not for the faint hearted) of the premises in which back yard abortionists operated.

A section examines the depiction of women criminals in popular culture, including the femme fatale of classic hardboiled and noir crime fiction and film, women in prison films such as Convicted Women in 1940 (“WOMEN WEEP … but not for their sins … as tear gas quells female prison riots”), and more recent examples such as Thelma and Louise and Glenn Close in Fatal Attraction.

The contrast between these sometimes lurid, at other glamorous, screen and textual presentations and the reality experienced by female Australian criminals in the first half of the last century couldn’t be more stark.

There was Kate Leigh, a thief, fence, drug dealer, ex-prostitute and sly grogger and razor girls like Tilly Devine, who dominated female criminality in inter war Sydney. Nellie Cameron was a well-known Sydney prostitute and bare-knuckle fighter. Iris Webber carried a knuckle-duster in her handbag and was dubbed “the most violent woman in Sydney” by police.

But it’s the mug shot images of women who did time in the State Reformatory for Women set up in Sydney’s Long Bay jail, that most clearly depict the reality of female crime in the early part of the last century.

Covering the period 1915-30, these were recovered and restored by the NSW Justice and Police Museum. I’ve seen their work before (they put together a great book of photographs of Australian criminals from the depression era) and they’ve always impressed me with how well they restore images.

Esther Eggers, photographed 16 December 1919, aged 22

There’s nothing glamorous about the women in these images. Their crimes include sly grogging, vagrancy, petty theft and the occasional murder. Who knows the exact circumstances, but they are overwhelmingly poverty related offences.

Their lives of hardship, violence and drug and alcohol abuse are etched on their faces and in most cases have prematurely aged them.

It’s as far away from the classic image of the femme fatale as you can get.

If you get a chance, the exhibition is well worth checking out.

Femme Fatale: The female criminal runs until June 13 at Geelong’s National Wool Museum.

Photographs courtesy of the NSW Justice and Police Museum.

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About Angela Savage

Angela Savage is a Melbourne-based crime writer, who has lived and travelled extensively in Asia. Her first novel, Behind the Night Bazaar won the 2004 Victorian Premier's Literary Award for an unpublished manuscript. She is a winner of the Scarlet Stiletto Award and has thrice been shortlisted for Ned Kelly awards. Her third novel, The Dying Beach, was also shortlisted for the 2014 Davitt Award. Angela teaches writing and is currently studying for her PhD in Creative Writing at Monash University.
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5 Responses to The two faces of the femme fatale

  1. Hmmm….Ann Savage relative?

    Looks like a really intriguing exhibition Angela. Can I recommend Larry Writer’s book “Razor” which covers this time in Australian History wonderfully…Tilly Devine, Kate Leigh, Nellie Cameron and their insanely criminal male counterparts.

    Cheers

    Sulari

    Like

  2. Thanks for the recommendation, Sulari. I was wondering where I could find out more about these wild women. Their bios were far more over the top than any crime fiction I could come up with.

    Cheers,
    Angela

    Like

  3. Larry Writer says:

    Hi Angela… it’s Larry Writer here. If you’d like me to drop a copy of Razor into the mail for you I’d be very glad to.
    Best regards,
    Larry

    Like

    • angelasavage says:

      Hi Larry,
      I would be rapt to receive a copy of Razor in the mail. I’ve actually tried to buy it a couple of times but I gather the tie-in with the Underbelly TV series has led to an increase in sales. More power to you!
      Id be happy to reciprocate with a copy of my latest crime fiction novel, The Half-Child, if you are interested.
      Best regards,
      Angela

      Like

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